Wiener Studien Band 124/2011

    Zeitschrift für Klassische Philologie, Patristik und lateinische Tradition

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    INHALT. Herwig Maehler, Griechische Chorlyrik und die Symbole der Macht
    Zsolt Adojáni, Der Blick der Erinyen (Aischyl. Choeph. 283-290)
    Konstantina Gakopoulou, Die Rolle des Chores in der Palastwunderszene der eruipidischen Balchen
    Catalin Enache, The typology of human constitutions in Hippocrastes` De victu 1,32
    Lothar Willms, L ' école de hommes: Geschlecher, Zeichen, Raum und Lehre bei Epiktet
    Claudia Greco, Late Antique Protraits: Reading Chricius of Gaza' s Encomastic Orations (I-VIII, F.-R.)
    Andreas Rhoby, Vom jambischen Trimeter zum byzantinischen Zwölfsilber. Beobachtung zur Metrik des spätantiken und byzantinischen Epigramms
    Hartmut Wulfram, Sehen und Gesehen werden. Der lachende Demokrit bei Horaz und Juvenal
    Beatrice Baldarelli, Seneca, Ennius und die Kürze des Lebens (Seneca dial. 10,2, 1/2 und Enn. scaen. 195-203 J)
    Dieter Lau, Augustinus Tropus-Begriff.: Umfang und Struktur. Beitrag zu einer tropologischen Hermeneutik
    Clemens Weidmann, Quod nos hortatus es dominus noster. Eine Predigt Augustinus aus der Collectio Longipontana
    Gert Partoens, Two Clunisian collections of Augustinian sermons. A reply to a review in Mediovieo Latino
    Andrea Livini, Il caso della Cena Cypriani: riflessiono sulla circollazione alto-medievale di un libellus tardo-antico
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    Wiener Studien Band 124/2011
    ISSN 0084-005X
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    ISSN 0084-005X
    Online Edition
    ISBN 978-3-7001-7186-7
    Print Edition
    ISBN 978-3-7001-7182-9
    Online Edition



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    Il caso della Cena Cypriani: riflessioni sulla circolazione alto-medievale di un libellus tardo-antico

      Andrea Livini

    Wiener Studien 124/2011, pp. 279-295, 2011/11/07

    Zeitschrift für Klassische Philologie, Patristik und lateinische Tradition

    doi: 10.1553/wst124s279

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    doi:10.1553/wst124



    doi:10.1553/wst124s279


    Abstract

    The late-antiquity libellus known as Cena Cypriani (Cena) represents an odd form of intellectual and perhaps convivial entertainment, wherein readers and listeners are made aware of biblical episodes through its story. Literarily, the Cena can be considered as a unique result arising from the mixture of Greek and Latin works from both the Classical era and Late Antiquity. Only during the Early Middle Ages, such work was attributed to Saint Cyprian and, for this reason, began circulating in the Carthaginian martyr’s body of writings. Nevertheless, the fate of this Early Medieval script is not connected solely to the auctoritas Cypriani. Indeed, the Cena circulated in the Carolingian scriptoria as disputatio, used as a means of teaching the Bible while also helping to amuse its readers and listeners. During Charles the Bald’s imperial coronation (875), the Cena was required to be read in Rome, where most likely it was unknown to the public. Subsequently, John Inmonides transformed the text into a well known rhythm composed for the convivial entertainment of the Carolingian sovereign and that of Pope John VIII.

    Published Online: 2011/11/07 14:36:43

    Object Identifier: 0xc1aa5572 0x0029c507

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