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Helmut Kowar (Hg.)
International Forum on Audio-Visual Resarch
Jahrbuch des Phonogrammarchivs 9
Reinhard Johler
S. 41 - 79 doi: 10.1553/jpa9s41
Verlag der Österreichischen Akademie der Wissenschaften doi: 10.1553/jpa9s41
Abstract:
For many sciences, the outbreak of the First World War was understood as a “research opportunity that would never be seen again”. Particularly for young and relatively unestablished disciplines—such as anthropology and folklore— the war represented a once-in-a-lifetime chance. In this vein, the war was seen as a “laboratory”, and a wide range of research projects were quickly established on the front, in staging areas, and even in the rapidly growing prisoner- of-war camps. For the first time, this article provides an overview of the wide array of research projects undertaken by German, Austrian, and Hungarian folklorists and anthropologists on one side of the war, as well as research done by their British, French, and Italian colleagues on the other side of the front lines. On the one hand, this article will describe the historical background of such research, which stretches back to the 19th century. Particularly in the German-speaking countries, the studies done in prisoner-of-war camps were closely associated with the institutionalization of anthropology and folklore as scientific fields. On the other hand, this paper identifies and presents a variety of different patterns of anthropological and folkloristic research that were organized in very different ways across Europe. One commonality between all of the research carried out during the World War is that the results were ultimately compiled to form large collections. Their presents are every bit as divergent as the respective histories of these collections—particularly with respect to the phonographic recordings taken during the war.
Anthropology, European folklore, research survey, institutionalization, collection strategies Published Online:
2019/05/02 11:07:33 Object Identifier:
0xc1aa5576 0x003aa1ed
Rights:All rights reserved.For questions regarding copyright and copies please contact us by email.
BEITRÄGE
Ethnography from Vienna in World War I Prisoner-of-War Camps: premises, implications, and consequences for socio-cultural anthropology in German
Andre GINGRICH
The War, the Soldiers, the Prisoners, and the Folklorists in Europe: a comparative research summary
Problems of belonging in the remembrance of previous lives
Reinhard JOHLER
„… gelegentlich zum Teil musikwissenschaftlich fast wertlos“: zu Robert Lachs Studien Gesänge russischer Kriegsgefangener
als Beitrag zur „vergleichenden Musikwissenschaft“
Michael WEBER
“Visiting Relatives”: on prisoners of war in Finno-Ugric studies Gerson KLUMPP
Voices from the Camp: phonographic recordings and personal documents of Tatar/Bashkir prisoners of war (1914–1919)
Ingeborg BALDAUF
Recordings from Prisoner-of-War Camps, World War I from
an Outsider’s Perspective: an essay
Florian MÜHLFRIED
FELDFORSCHUNGSBERICHTE
Volksmusik und Veränderung der Bräuche in Epiros (Feldforschung Griechenland 2017)
Efstratios NIKOLAROS
REZENSIONEN
Ignazio Macchiarella und Emilio Tamburini. 2018. Le voci ritrovate.
Canti e narrazioni di prigionieri italiani della Grande Guerra
negli archivi sonori di Berlino.
Udine: nota.
Gerda LECHLEITNER
Dan Lundberg. 2018. Singing through the Bars. Prison Songs as
Identity Markers and as Cultural Heritage. (Skrifter utgivna av
Svenskt Visarkiv, 44).
Stockholm: Svenskt Visarkiv / Statens Musikverk.
Gerda LECHLEITNER
Susanne Ziegler, Ingrid Åkesson, Gerda Lechleitner und Susana Sardo (eds.). 2017. Historical Sources of Ethnomusicology in Contemporary Debate.
Newcastle upon Tyne: Cambridge Scholars Publishing.
Julio MENDÍVIL
Tätigkeitsbericht des Phonogrammarchivs für das Jahr 2017
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