• Dahlia Shehata - Florian Leitmeir - Kamila Wysłucha - Stefan Hagel (Editors)

Journal of Music Archaeology

Volume 2, 2024

Bild


The Journal of Music Archaeology (JMA) is the first double-blind-reviewed open access periodical in the field of music archaeology, continuing the spirit of the series Studien zur Musikarchäologie, formerly published by the DAI. It addresses questions concerning the archaeology of sound and rhythmical behaviour of past cultures all over the globe, including the study and reconstruction of certain or possible sound tools, the investigation of soundscapes, especially where intentionally chosen or erected, as well as related historical, anthropological and ethnological research based on iconographies, literatures, and comparative studies reflecting the wide range of approaches and methodologies that has characterised music archaeology from its beginnings.

Long Term Preservation
Research findings are archived long-term by PORTICO.

Verlag der Österreichischen Akademie der Wissenschaften
Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400
https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at

Bestellung/Order


Bild
Journal of Music Archaeology

ISSN 2960-4184
Online Edition

ISBN 978-3-7001-9730-0
Online Edition



Send or fax to your local bookseller or to:

Verlag der Österreichischen Akademie der Wissenschaften
Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2,
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400
https://verlag.oeaw.ac.at, e-mail: bestellung.verlag@oeaw.ac.at
UID-Nr.: ATU 16251605, FN 71839x Handelsgericht Wien, DVR: 0096385

Bitte senden Sie mir
Please send me
 
Exemplar(e) der genannten Publikation
copy(ies) of the publication overleaf


NAME


ADRESSE / ADDRESS


ORT / CITY


LAND / COUNTRY


ZAHLUNGSMETHODE / METHOD OF PAYMENT
    Visa     Euro / Master     American Express


NUMMER

Ablaufdatum / Expiry date:  

    I will send a cheque           Vorausrechnung / Send me a proforma invoice
 
DATUM, UNTERSCHRIFT / DATE, SIGNATURE

BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
Bild

The Rattle from Szadek: Acoustic Research with the Use of Numerical Sound Reconstruction

    Katarzyna Tatoń, Ireneusz Czajka

Journal of Music Archaeology, Volume 2, 2024, pp. 33-52, 2024/12/18

Volume 2, 2024

doi: 10.1553/0x003fc0ea


PDF
X
BibTEX-Export:

X
EndNote/Zotero-Export:

X
RIS-Export:

X 
Researchgate-Export (COinS)

Permanent QR-Code

doi:10.1553/0x003fc0ea

Abstract

Ceramic sound tools using clay as a raw material have been produced since the very beginning of human history. This was also the case for the cultures that inhabited the area comprised by pre-sent-day Poland. So far, over 1,200 ceramic rattles or their fragments have been discovered in this area. They are the subject of interdisciplinary research, using various methods from archaeology, musicology, acoustics, and even mechanical engineering. The state of preservation of the artefacts is often unsatisfactory, and thus important information about their original behavior has been lost. Traditional reconstructions of ceramic rattles restored their appearance only, without recon-structing the basic function of sound production. In order for the sound to be reliably recon-structed, the shape of the rattle, the material from which it was originally made, as well as the entire technological process must be precisely recreated. This is an extremely difficult task, espe-cially in the case of poorly preserved objects. In these cases, reverse engineering methods using numerical modeling are often of use, because they allow the determination of the frequency struc-ture of the rattle sound spectrum. Using reverse engineering techniques, it is possible to build a model that will allow us to recreate at least some of the sound characteristics of the reconstructed ceramic rattles.

Keywords: Archaeomusicology – Archaeoacoustics – Acoustic analysis – Clay rattles – Experimental sound re-construction – Reverse engineering – Sound synthesis