![]() |
Journal of Music ArchaeologyVolume 2, 2024
|
![]() |
Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |
|
||||||||||||||||||||
|
DATUM, UNTERSCHRIFT / DATE, SIGNATURE
BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
|

Journal of Music Archaeology, Volume 2, 2024, pp. 53-88, 2024/12/18
Volume 2, 2024
This paper presents a selection of Roman engraved gems (cameos and intaglios) which are deco-rated with musical and dance motifs, focusing primarily on artifacts dated to the Augustan era. The iconography of gems from this era varies, including figures that hold or play a musical instru-ment or dance, or sometimes only a musical instrument that covers the surface. The musicians and dancers are usually figures derived from Greek mythology and religion. This paper has three aims: first, to classify the motifs according to the mythical figures or musical instruments that they rep-resent. Second, to present/describe their iconography, and third, to interpret, how these objects were used by Roman rulers. I divided the gems examined into four categories: a) objects related to Apollo’s iconography; b) Dionysian themes; c) musical motifs with tritons; and d) single musical instruments.
Keywords: Augustus – Gems – Gem engravers – Musical iconography – Glyptic – Greek mythology – Religion